Starting from the premise that language is, initially, noise—a matrix of sounds, silences, and acoustic textures—this series transforms text into a purely visual element.

The process is based on the superimposition and saturation of layers of typography. By intentionally obstructing legibility, forms with abstract-figurative qualities and strong graphic contrast are generated.

The result is a dense composition that celebrates the aesthetic power of the block of text as an object in itself, beyond its meaning.