This project is based on the reinterpretation and recycling of the artist's own visual material. The series takes as its starting point fragments of paintings from the artist's early period; these are digitally reconfigured and printed using the screen printing technique.

The composition is built through the superimposition of color planes, generating rich harmonies and contrasts. Symbolically, they are fragmented echoes of a pictorial past that, when reintroduced and saturated in the graphic medium, create new structures of controlled visual noise. The work explores how pictorial memory is transformed through reproduction and technique.