This series was conceived through the physical and digital manipulation of compact discs. The work begins with the intentional scratching of the discs and the creation of abstract drawings on them. The altered CDs are then assembled on a treated methacrylate surface, which serves as a matrix.

Although the original plan was to print on cotton paper (an unsuccessful objective), the creative process was completed through digital manipulation. The final image consisted of photographs of these matrices, which, when subsequently manipulated with editing software, transformed the process errors into the visual noise and glitches that define the piece.