This selection of works documents the artist's initial exploration of printmaking and additive experimentation (cardboard printing), where the studio functions as a laboratory for the search for a unique artistic language. The resulting compositions are abstract-figurative in nature, featuring recurring figures such as the shadow, the human figure, and the rooster.

Formally, the work focuses on the circle and the square, symbolizing the duality between the spiritual, cyclical, and infinite (circle) and the material and tangible (square).

This series marks the genesis of the hybrid methodology, fusing traditional methods (cardboard printing, traditional printmaking) with unconventional elements. Supports and materials such as compact discs (CDs) and altered tree trunk slices are integrated, revealing an early reflection on discarded technology and materiality.